
L - R: Cristina Marx/Photomusix, Dawid Laskowski, Heinrich Bringmöler
Some history: Blume and Butcher have played together since the 90s - most notably in Frisque Concordance, and a trio with Wilbert de Joode. Wassermann and Butcher have both been members of Richard Barrett’s fORCH and expanded FURT. Blume and Wassermann are both part of the long-standing Speak Easy with Phil Minton and Thomas Lehn.
So it felt very natural for this new trio to form in 2024.
It's astonishing what atypical high notes John Butcher coaxes from his saxophone, which correspond in pitch and articulation with the vocal magic of Ute Wassermann. This magic stems from a stupendous vocal technique of breath sounds, twitters, hisses, and smacks – "amplified" by flutes, funnels, jaw harp. If you close your eyes, you can hardly believe the sonic spectrum the human voice is capable of achieving.
John Butcher fully lives up to his reputation as one of the most important saxophonists in improvised music: The saxophone as a tone generator, with its trombone-like glissandi, multiphonics, growling, shouting, popping, chirping… miraculously absorbs Ute Wassermann's vocal acrobatics and expands them with its own sounds.
And Martin Blume, the rhythmic foundation of the sometimes animalistic-sounding dialogue is underpinned, increasing the dynamics and in turn providing impulses for a calmer section. His strength lies in his use of brushes, wooden blocks on the snare drum, bells, chimes, special mallets, etc., which significantly contributes to the expanded soundscape of the concert.
nwr jazz.net concert review - Heinrich Brinkmöller-Becker
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