Scrutables | Vortices and Angels |
Derek Bailey's death at the start of 2006 touched many people. Some online responses include:
John Fordham's Guardian
Ben Ratliff's New York Times obituaries.
:: Peter Stubley's efi site contains much vital Bailey information, including Richard Shapiro's
:: A 1987 interview with Derek, by Henry Kaiser, can be listened to online.
:: A review of 3 recent CDs, by Bill Shoemaker.
© peter stubley
John Butcher and Derek Bailey first played, in duo, in 1989, at the Red Rose Club. Butcher then joined the 1990, 1992 and 1995
Other situations ranged from Saturday afternoons at the Oasis Wine Bar in Hackney, to a quartet with Robyn Schulkowsky in France, and a trio with Joelle Leandre at
Tonic in New York.
A comparatively long lived grouping was with tuba player Oren Marshall - releasing
Trio Playing on Incus.
Bailey and Butcher's duet at London's Vortex in 2000 is on
Vortices and Angels.
In the same year they were joined by Gino Robair for a studio session, Scrutables, now released on Weight of Wax.
Moat Studios, London, 2000.
Derek Bailey / John Butcher / Gino Robair
New York City Jazz Review | The Watchful Ear | The Squid's Ear
all about jazz | Sunday Times | Point of Departure | Paris Transatlantic | freq
DL from bandcamp Vortices and Angels
Bailey / Butcher - live at the Vortex
(Butcher / Davies
- live at All Angels
Jazz Times | all about jazz
The opening duet
is a probing, fast, and unexpectedly loud battle of wits (or is it nerves?). Bailey uncorks some of his most exacting and fearsomely paced playing, forcing Butcher, ordinarily the most orderly of improvisers and by inclination a miniaturist, to think in terms of waves and convoluted tangles of notes. But as the improvisation unfolds over a labyrinthine 27 mins, the near-bottomless depth of Butcher's arsenal of devices becomes increasingly, almost frighteningly clear.
Even just as a demonstration of 'extended technique' it's an impressive performance, and overall this must be counted one of the best things either man has recorded in the past decade.
Nate Dorward - CODA